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Graham
Ferguson: Anthrax Contest Winner No One Night Stand

When Graham
Ferguson was writing the songs for his “This World Insane” CD, he
never once thought it would land him on stage with thrash metal
pioneers Anthrax - but it did. On Friday, January 13th at Chicago’s
House of Blues, the Davenport, Iowa native was trading sweat and
guitar licks with the band as he ripped through a cover of the Kiss
classic, “Parasite.” It was a songwriting contest they had billed as
the "Anthrax Killer Demo Contest," and it was Ferguson’s song “This
World Insane” that secured his place on stage. Along with the
onstage thrill, the contest winner was also rewarded with a new
guitar and an endorsement from the folks at Washburn. Anyone who
knows Graham Ferguson though, would know that he lives and breathes
his music. He also writes it, plays it (ALL of it), produces it,
engineers it - hell, he might even bake cookies with it. So, to find
him achieving something of this magnitude does not sound unlikely. I
recently had an opportunity to talk with Ferguson about his music,
his experience of being on stage with Anthrax, and where he might
find himself in the not too distant future.
First of all, what was
it like to be on a stage with Anthrax, one of the first metal bands
of their kind? “Playing
with Anthrax was amazing. I've listened to them for as long as I've
played music, so it was a real honor to get a little pat on the head
from them. It was like doing an inning with your favorite baseball
team or something.”
Well, you have one helluva swing, my friend. I
understand you have a small studio in your home where you write and
record all of your material. I also understand that you not only
write all of it; you play every instrument, you sing every song, and
you also take on the producing and engineering duties. These are
extensive responsibilities that you’ve burdened yourself with. Why
not just play the instrument you’re most comfortable with, and find
other fellow musicians and producers to do the rest? “I could never afford to pay
anyone to do it for me! I've always written my own stuff. I want to
use my guitar in every way I can think of, and writing songs is one
of them. I originally wanted to be a drummer, but I couldn't afford
a set, and my family was really against it. I taught myself some,
but ended up with a guitar as a compromise. I stayed interested in
drums, studied them on my own, and later played in a few bands. My
interest in singing and bass came from Iron Maiden and Dream
Theater, and from the fact that I didn't have to buy a larynx.
Interest in producing my own stuff came from the digital home studio
revolution of the 90's, and ‘A Year and a Half in the Life of
Metallica’” (referring to the
in-studio documentary film that shows the band recording their now
legendary, self-titled “black album.”).
“Doing it all myself came out of necessity really. I can never get
anyone to stay in a band for more than a few weeks before their
girlfriends talk them out of it.”

What instrument are you most comfortable
playing? “Guitar;
particularly the Ibanez RG. I also really like Les Pauls, but I
can't afford Gibsons. I buy Epiphones and gut
them.”
Your talents
are too numerous to mention in just one small article such as this.
Your skill playing drums comes shining through in your music, as
does your guitar prowess and singing talent. Tell me, what kind of
formal training have you had, if any? “Five years of guitar lessons with Mark Zaputil*, high school
choir and theory, six months of drum lessons, and a few piano and
trumpet lessons. After I left high school I went to Music Tech in
Minneapolis and graduated after a year and a half as a guitar major.
I also had drums, keys, and vocals for non-majors. When I was there,
they asked me to be an assistant teacher for the Rock Technique
class I was in, but some of my classmates didn't care for that, so I
didn't. I did guitar lessons with Tim
Bellman* over a
summer break in there somewhere too.”
*(Editor Note: Mark (ZAP) Zaputil has
been the President and sole proprietor of ZAP, LTD. since 1990, and
Tim Bellman are both accomplished instructors out of
the Davenport, Iowa area)
You
bill yourself as “The Cadaver Dogs” on your CD’s, which might lead
one to believe that there are other band members involved. What made
you choose a band name like The Cadaver Dogs over something a little
more independent sounding, like The Graham Ferguson Project or
something of that nature? “The Cadaver Dogs came from the hope that I would have
a full band, and not really be the Graham Ferguson solo project. I
was working with specific musicians at the time, and we did play
that way for a while. I've always liked cool metal names better than
regular human names. I certainly don't want the responsibility of
having a band named after me! However, it's looking more and more
like it's just going to happen that way, so I've actually decided to
drop The Cadaver Dogs and just go by Graham Ferguson. I think this
is a good time to announce the switch since I have everyone's
attention from the Anthrax adventure. Sometimes decisions like these
just make themselves, and you just have to go with
it."
Has there been interest
from any record labels yet? Not yet, although Sanctuary sent me a very kind letter
of rejection. "We really like your demo, but we're not signing any
new bands because no one buys CDs anymore," he said, paraphrasing the letter. “It made me laugh, but it was very considerate of
them. I was
surprised, no one else wrote back at all."

Did
you get a chance to drop off one of your CD's to anybody
in the Anthrax camp? “I chickened
out at the time, didn't want to ruin the moment. Later Scott Ian
e-mailed me and said I could mail him some, which I did.”
What would you say if he got back to you, after
listening to your music, and wanted to record one of your
songs? “It would be an honor, as long
as I get some kind of credit (and money) for
it.”
Let's play some word association, shall
we? What springs
to mind when I say: Success? "Success is doing
something you love to do, and doing the best you can at
it." Fame? "Side
effect" Grammys?
"Milli Vanilli" Yeah, none of us can forget that, but we're
all trying! Heavy Metal? "Bruce
Dickinson" Anthrax?
"One of the greatest ever, and totally underrated" Britney Spears? "Who
cares?" Singer?
"James LaBrie" Bassist?
"Craig Weiman. We
used to play together, then he went to Boston to study at Berklee,
and is now a professional musician in that area. The best
bass player I've ever heard, period." (Editor Note: You can visit Craig Weiman's
website online at: www.craigweiman.com) Drummer? "Lars Ulrich," Ferguson says with
no hesitation. "He was the main reason I
decided to get into music. I wanted to be a drummer like Lars
Ulrich." Guitarist?
"Me," he says with a small,
uneasy laugh. It is obvious at this point that this humble,
soft spoken rocker is confident but not cocky.
Work? "My favorite thing in
the world" Quitting?
"Never"
Sure,
Graham Ferguson got the opportunity of a lifetime when he was
afforded the opportunity to play onstage with Anthrax. But
Ferguson's talents, and his utmost belief in his talents, are the
things that will take this young man to even greater heights. His
confidence in his playing, his admiration of his influences,
and his subtle demeanor are all key elements for those who want to
benefit from the music world. If Graham Ferguson keeps writing,
and playing, and producing, and engineering, and doing all of the
things he loves to do, there is bound to be a payday on the horizon.
It’s my guess that the wait won’t be too long, and affording those
Gibsons that he’s been eyeballing will soon become a reality. And as
far as affording a band, my advice is to just buy an extra Les Paul
and do it yourself.
---
Scott "Dr. Music" Itter
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