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Alright, let’s talk about expectation.
When I got wind of this project, I really felt like something
divine was about to take place. You see, I have been anxious for
guitar genius Joe Satriani to do a band project for a number of
years, and there is no better host than Sammy Hagar when you want to
throw a rock ‘n’ roll party. So, when I heard these two were pairing
up in a band called Chickenfoot, I just about cried. And I’d like to
make something clear here, I think Chickenfoot is a killer name. The
name alone sent a message that this was going to be a fun party
record with four guys that were just having a good time. The record
instantly became a rock ‘n’ roll pińata that I couldn’t wait to take
a swing at, just to see what awaited me inside. What I found wasn’t
exactly what I expected, though.

I
guess what I expected to hear was a Sammy Hagar solo record in the
same vein as VOA or Three Lock Box, except Joe
Satriani would be lending his amazing guitar chops this time. So, I guess when I heard
tracks like “Runnin’ Out,” “Learning To Fall,” and “Future Is The
Past,” I was a little disappointed. These are songs that sound like
they were left off of one of the later Van Halen records, which
isn’t necessarily a bad thing, but just not what I was hoping to
hear. The rest of the record does depart from the “Van Hagar” sound,
but that’s not necessarily a good thing. Songs like “Get It Up” and
“Avenida Revolution” set more of a dark and somber tone, like
something you might get from Alice In Chains. And, with the latter
song kicking off this disc, you can imagine the expression I was
wearing when I pressed play for that initial spin. This
was hardly the party I was hoping to attend. The album does
get rocking and definitely does assume a playful mood at various
points. Tracks like “My Kinda Girl” and “Sexy Little Thing” rock
like those Hagar tunes that I was wishing for, although they are a
bit simple. But this record really kicks ass when its backbone
stiffens up and it gets funky. Songs like “Soap On A Rope,” “Oh
Yeah,” and “Down The Drain” rock hard with a tight and fastidious
guttural attitude. “Oh Yeah” is the first single, as well it should
be. It’s a fun rocker that will have you tapping a foot and pumping
a fist as you chant along. “Down The Drain” is more of the sleek and
sly, down and dirty rocker; a little dark sounding, but it has
some great moments. There is another track called “Turnin’ Left”
that has a big Satriani groove, but I’m just not fond of the
overabundance of gang vocal throughout the song. I think it flattens
out the song and gives it a monotone feel. The song I consistently
find myself going back to is “Soap On A Rope,” though. This is a
wicked track that finds Satriani laying down a riff that has a
gigantic groove and a ton of muscle. We also find Satch adding some
scratching effects and other interesting fills that keep this one
fun. All of this is wrapped around a guitar solo that throws a tip
of the cap toward guitarist Tom Morello and his unique and
innovative Rage Against The Machine sound. Even Sammy throws in a
straight-from-the-gut, Zach de la Rocha-type “Uh!” for good
measure.
To see the video
for the first single, "Oh Yeah," click
here!!
While I was obviously
a little disappointed by the whole of this record, I would say at
the same time, that it is a good solid outing. I realize that I
am not the only fan of these guys, and everyone is expecting and
hoping to hear something different. So, even though the band didn’t
paint the town red (pun intended) as consistently as I might’ve been
hoping for, they did splash enough color around that it should
satisfy just about every fan of rock 'n'
roll. |